BIO

Steven Fox is Music Director of Cathedral Choral Society and Artistic Director of The Clarion Choir & The Clarion Orchestra.  He has conducted renowned ensembles such as the Rochester Philharmonic Orchestra, Orchestre Symphonique de Québec, Opéra de Québec, Chicago’s Music of the Baroque, San Francisco’s Philharmonia Baroque Orchestra, Boston’s Handel and Haydn Society, Juilliard415, Charleston Symphony Orchestra, Tucson Symphony Orchestra, Portland’s Cappella Romana, and Toronto’s Theatre of Early Music. His performances have taken him to some of the most prestigious halls internationally, such as Carnegie Hall, Lincoln Center, Brooklyn Academy of Music, St. Petersburg’s Grand Philharmonic Hall, the Hermitage Theater, Moscow’s Rachmaninoff Hall, London’s Duke’s Hall, and the Vatican.

Steven was named an Associate of the Royal Academy of Music, London, in 2010 ‘for significant contributions to his field in music,’ and has received GRAMMY® nominations for his first three recordings: Steinberg’s Passion Week (2016), Kastalsky’s Memory Eternal (2018), and Kastalsky’s Requiem (2020).

In recent years, he has collaborated with artists and ensembles such as Harry Bicket and The English Concert, Susan Graham, Leonard Slatkin and the Orchestra of St. Luke’s, Eric Jacobsen and The Knights Chamber Orchestra, and Madonna at the 2018 Met Gala.

Steven graduated as a Senior Fellow with High Honors in Music and Russian from Dartmouth College, and with Distinction from the Royal Academy of Music. He founded Musica Antiqua St. Petersburg as Russia’s first period-instrument orchestra at the age of 21, and premiered several important Russian 18th-century symphonic and operatic works with the orchestra. From 2008 to 2013 he was an Associate Conductor at New York City Opera, and, in 2011, served as Assistant Conductor for the Metropolitan Opera Lindemann Young Artists Program and Juilliard Opera. He has given master classes and clinics at The Royal Academy of Music, Dartmouth College, The Juilliard School, and Yale University, where he served for two years as preparatory conductor of the Yale Schola Cantorum.