Colleen Daly is rapidly emerging as a “dramatically powerful” (The Washington Post) singer in today’s operatic arena. Miss Daly’s most recent performances include Musetta in La Bohème with Annapolis Opera, Lyric Opera of Baltimore and Des Moines Metro Opera; Violetta in Opera Delaware’s production of La traviata, which she also covered at New York City Opera; Fiordiligi in Così fan tutte with Intermountain Opera; Micaëla in both La Tragédie de Carmen with Syracuse Opera and in Carmen with Baltimore Concert Opera; the Countess in Annapolis Opera’s production of Le nozze di Figaro; and the title role of Thaïs at Opera Company of Middlebury. This winter, Miss Daly will be returning to one of her signature roles, Micaëla in the Maryland Symphony Orchestra’s presentation of Carmen, and will be presented in her role debut of Fidelia in Puccini’s masterpiece Edgar with the Baltimore Concert Opera later that month.
Ms. Daly’s work as a concert and recital soloist has been widely recognized in performing such works as the Mozart, Brahms, Fauré, and Rutter Requiem Masses, Mendelssohn’s Elijah, Beethoven’s Ninth Symphony, Händel’s Messiah, Haydn’s Creation, Lord Nelson Mass, and Missa Solemnis, Poulenc’s Gloria, Mozart’s Davide Penitente, and Stravinsky’s Les Noces. Colleen has appeared with the Master Chorale of Washington in her Kennedy Center debut, Washington Concert Opera, the Washington Chorus, the Cathedral Choral Society in her National Cathedral debut, the Post-Classical Ensemble, the New Dominion Chorale, and the Maryland Philharmonic Orchestra, the Händel Society of Dartmouth, and the Columbus Symphony, among others. The 2015 season was marked by her professional recital debut; Ms. Daly presented a program of art song inspired by works in the permanent collection at the Phillips Collection and reprised a portion of her program at the Kennedy Center, which was streamed live worldwide. This fall, Ms. Daly made her international concert debut with the Calgary Philharmonic Orchestra as Madeline in Philip Glass’ setting of The Fall of the House of Usher, before returning to the Kennedy Center Concert Hall as a soloist in the Washington Chorus’s presentation of Ralph Vaughan Williams’ A Sea Symphony. She’s looking forward to returning to Calgary in June to appear as a soloist in their presentation of Mahler’s Eighth Symphony.